Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Enguerrand Quarton
The Lamentation of Christ with a Donor known as the Pieta of Villeneuve-les-Avignon (mk05)

ID: 20003

Enguerrand Quarton The Lamentation of Christ with a Donor known as the Pieta of Villeneuve-les-Avignon (mk05)
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Enguerrand Quarton The Lamentation of Christ with a Donor known as the Pieta of Villeneuve-les-Avignon (mk05)


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Enguerrand Quarton

active in Provence 1444-1466  Related Paintings of Enguerrand Quarton :. | Pieta (mk08) | Portrait du colonel Albert Manuel | Cornation of the Virgin (mk08) | Pieta of Villeneuve-les-Avignon | The Lamentation of Christ with a Donor known as the Pieta of Villeneuve-les-Avignon (mk05) |
Related Artists:
Heronymus Bosch
Bois-le-Duc ca 1450-1516
Tobias Verhaecht
(Antwerp, 1561 - 1631) was a painter and draughtsman active in Antwerp, Florence and Rome. Primarily a landscape painter, his style is indebted to mannerist world landscapes of artists like Joachim Patinir with high viewpoints, fantastic distant perspectives and three-colour scheme. Before Verhaecht entered Antwerp's guild of St. Luke in 1590-91, he had already spent time in Italy, first in Florence, and then as a fresco painter in Rome. Peter Paul Rubens, who was a relative by marriage, studied with him around 1592, and another student was his own son, Willem van Haecht. Verhaecht is also known for his designs for prints.
Theo van Doesburg
Dutch 1883-1931 Dutch painter, architect, designer and writer. He was officially registered as the son of Wilhelm Kepper and Henrietta Catharina Margadant, but he was so convinced that his mother second husband, Theodorus Doesburg, was his father that he took his name. Little is known of his early life, but he began painting naturalistic subjects c. 1899. In 1903 he began his military service, and around the same time he met his first wife, Agnita Feis, a Theosophist and poet. Between about 1908 and 1910, much influenced by the work of Honor Daumier, he produced caricatures, some of which were later published in his first book De maskers af! (1916). Also during this period he painted some Impressionist-inspired landscapes and portraits in the manner of George Hendrik Breitner. Between 1914 and 1915 the influence of Kandinsky became clear in such drawings as Streetmusic I and Streetmusic II (The Hague, Rijksdienst Beeld. Kst) and other abstract works.






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